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A small check I should have made before touching the clay

I reached to silence my alarm in pottery class and dented the cup I had just made

For the first time, the clay looked like a cup. Then my phone rang. As I reached for it, I forgot that my other hand was still inside the fragile shape.

Nenne editorial team · This story is reconstructed from situations that can arise in everyday life.

I wanted to drink coffee from a cup I had made

After a cup broke at home, I booked a pottery experience with a friend. Buying another would have been easy, but I wanted to try something I had made. The sample cups had small differences I liked. I warned my friend I was clumsy; they said that was why we were going to learn. I also booked another appointment that afternoon.

The workshop smelled of wet earth. After putting on an apron, I realized my hands would be occupied longer than expected. The instructor said we could take our time, but I remembered the later appointment. I set a getting-ready alarm and put the phone in my bag beside the table. I never pictured what my hands would be doing when it rang.

At the wheel, my palms did not cooperate. The instructor adjusted my position, and I tried to use less force. The clay rose a little, then collapsed more than once. My friend laughed at their own attempt. I wanted to check the phone during a pause, but the clay on my fingertips made picking it up complicated.

With help, the walls finally rose into something cup-shaped. The instructor told me not to move my hands suddenly. I nodded and watched my fingertips. The round lump was becoming an object I might actually keep. For a moment, I forgot the later plan and thought about preserving this shape. At last, there seemed to be something worth photographing.

Looking toward the phone, I forgot the hand still in the clay

At a familiar sound from the bag, I looked away. My friend glanced over too. Realizing it was my alarm, I said I would stop it and pulled out my right hand. My left was still inside the cup. As I turned hurriedly, it pressed against the clay. When I looked back, the rim had slumped to one side.

The instructor asked me to pause, and my friend pointed out the bag. I looked down, unsure where to wipe my hands. I searched for a suitable towel rather than touch the screen immediately. The sound continued. I wanted to fix the cup and stop the alarm simultaneously. Eventually I followed the instructor’s order for freeing and cleaning my hands, then silenced the phone.

Once it was quiet, the dent seemed larger. I started to reach back to lift the wall, but the instructor checked it first. Pushing without guidance might change it further. I could see how I had tried to do several things that required a pause between them. Another student was waiting for help while mine was being given again.

My friend said the photo could wait. I tried to laugh, then sighed at the cup. The instructor suggested working with the shape we could still recover. It would not have the straight wall I had pictured, but did not need to be discarded. “Get ready to leave,” the alarm had said. Those words had not made my hands ready to move.

Before reaching for the alarm, I should have thought about the hand still inside the cup.

More than the shape, I remembered the time we all paused

During a break, I contacted the person I was meeting later. They said a little more time was fine. Hearing that earlier could have spared the hurry at the wheel. I had focused on keeping a time without asking whether the work could stop then. The object followed its own process, which the instructor explained before I understood what remained.

I apologized to my friend for making them wait over my cup. They laughed that theirs still needed plenty of work. I appreciated the reply, without pretending my preparation had been sufficient. I had set my own pace in an unfamiliar class and kept the later plan to myself. After my hurried movement, the instructor had to deal with the result too.

At home, I tried an earphone alarm. Knowing how to use Nenne for personal time could help while waiting outside the workshop. At the wheel, hearing the instructor, checking whether earphones were suitable and freeing my hands were separate matters. A private sound would not clean my fingers. Turning off unnecessary reminders before working was simpler.

For the next class, I left space afterward and asked whether the expected duration included cleanup. Making the object also involved washing hands and clearing the work area. Adding those stages to the schedule reduced the decisions I had to rush. I planned to check the phone before working, then put it away while I could not comfortably handle it.

Next time, I asked how to free my hands before beginning

On returning, I heard that the earlier cup was drying well. I said straight away that I had no urgent plans afterward. That sentence required no skill with clay. Before putting on the apron, I reviewed the alarms and closed the bag. My friend joked that we would finish when the cups did. My posture already felt less tense.

I still wanted to glance at the screen sometimes. For a photograph, I freed my hands and waited until the instructor said it was appropriate. Waiting did not erase every good moment. Without twisting to reach for something, I could keep the shape steadier. Even checking the time belonged after asking whether I could stop safely at that stage.

My friend noticed another change in the shape. This time I did not pull my hands away suddenly. I showed the instructor and listened. Taking a class included waiting briefly when I did not know what to do. Last time, the sound alone had made me skip that pause. Now I could look at the work before reacting.

After finishing and washing my hands, I opened the bag. No urgent message had been missed. The cup sat in its place. I could see more clearly what rushing to grab the phone might change. I did not need a rule against devices in every class. I needed my schedule to account for the times my hands were occupied.

The slightly crooked cup could still be mine

When I collected the first cup, the opening still leaned slightly. My friend said they could recognize mine immediately. I laughed. Behind the shape, I knew the scene that had made it. I did not have to call the mistake an improvement; I wanted to damage less clay next time. An imperfect result still belonged to something I had made.

On my desk, the cup looked like the picture my friend had sent. I remembered the instructor’s pause as well as the dent. Being a beginner was ordinary; adding a rushed schedule was something I could change. Preparing my time did not require the same skill as shaping clay. I could check the alarms and leave a gap afterward myself.

Now, when I think of my phone during practical work, I look at my hands first. Are they wet, covered in clay or holding something? I test necessary signals before relying on them. I also need other people to find my belongings less often. Choosing moments when I can actually move makes small tasks feel simpler.

Pouring coffee into the cup for the first time, I noticed the uneven rim. The memory included more than an alarm: the rising shape and my friend’s smile were there too. I put it down and checked the day’s reminders with both hands free. Before the next hands-on task, I could do that earlier. The cup had taught me a first step.

Nenne

For hands-on work, plan what you can actually do after the signal

Before working, turn off unnecessary alarms and follow the instructor’s guidance. During separate waiting time where earphones are suitable, test how Nenne sounds on your own device.

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